Van Goph

Vincent caravan Goph An artists rub down changes e actuallyplace term and its often closely surround to the artists unbodied spirit For Vincent new wave Goph this is very true, his work changed dramatically everyplace the ten years that he was motion picture, from inglorious, realistic drawings of peasant vivification in charcoal, to light coloringed work of close friends and cafes, to the name up richly dis tinctful plant life in anele word- creates. As his career go from place to place, and his moods changed, so to did his work. In the Borinage, in Belgium, where he was fanatical about the Christian creed and the t severallyings of the bible, he drew dark, rough drawings of the ruin and toil that the peasant life was. He was incredibly serious and fanatical at that time in his life. When he moved to Paris, and discovered the paintings of other artists, and the opalescent city, with all its colour and joy, his paintings became colourful, light happy paintings, of friends, cafes, restaurants, no agelong the intense, depressing paintings that he drilld to do. So his painting elbow room changed dramatically over the years, as he moved around, and confront trials in life. When wagon train Goph first started to draw and paint, he was nourishment in the south of Belgium, in the borinage. He was a preacher, and evangelist, a fanatical about the church, who took the teachings of the bible seriously and literally, and this enkindle the clerics, and stir the bulk who he was feating to help. van Goph was a very sorrow man who love human kind, further he had the unfortuance of non cosmos able to communicate well. So, he writheed to art, in which he could poor out his feelings, and file the hardship that the peasants faced.         In these first drawings that he did, he treasured to fork over the peasant life as it was, a hardship and look at that the people faced every solar day, the continual weary str uggle day after day. So naturally, these dr! awings were do in inkiness charcoal and dark paints, very serious drawings which reflected the mood train Goph was in, he in addition empathised features of the peasant, the hands were often multicolor bent, knobbly, doddery crippled, the certify tale theatres of hard labour. The faces were often exaggerated to essay sunken cheeks, human being-weary look, almost deformed looking. Often though, he wouldnt level faces, as he wanted to try to show the psyche representing all of the peasants, not on a private level. train Goph was trying to lead off across the struggles that they faced. They reflected his depression at the life that the peasants went through, he was living everyday seeing the people attempt to make a living, in the mines, from dusk boulder corpse dawn everyday, and the effects showed through in his paintings.         after decision making that his mission in life was art, Vincent left Belgium and went to Brussels, then to his family home , where he proceeded to shake up his second disastrous encounter with women, a issue widow named Kee, who rejected him, after he trail her frantically. This view do Vincent long for human warmth and love, which he craved, and he then fell in love with a defame name Sien, who also ended up rejecting him.         after these black incidents, Van Goph moved to Paris, where he discovered a world of literature, music, and art. More importantly, Japanese wood block prints, which influenced his work greatly. After being exposed to other artists, his work began to change, and in cardinal years had done a complete turn about. bygone was the dark depressing drawings, they were now colourful and light, they had a better-looking sense of wellbeing in them. Paris had changed Van Goph, the altogether atmosphere, activity, the people, even the weather, it was bursting with activity, warm weather, and gaiety now skirt him. So he starting doing depictions of friend, in vivid colour.         Van Goph started! to taste using wood block prints, dots of colour that made up the lucubrateed paintings of cafes, and restaurants. So Paris seemed to liberate him and hold patronise him the independence to essay with his work and the techniques he enjoymentd. He started to experiment with colour, and the moods and emotions that it invocated, his subjects also changed from peasants, to portraits, flowers, landscapes and still lifes.

        Unfortunately Van Goph started to change morally, he became get down, suffering the rejection of other artists and people, he was a very depressed man. To try to save him self, he left Paris and went to arles. here he pursed his belief in colour representing emotion and mood, and began to use colour as a representation of emotion. His best works came in this time, Sunflowers is one of them. The detail in this painting is incredible, the use of colour as well, the way he used yellow, a sign of life, friendship, warmth, caring , is all expressed through the detail and colour of this one painting. Van Goph became an expert colourist. In some other painting of this time, the harvest, he uses greens, violets, yellow, and blues, tranquil colours which compliment each other, and have a whole aura of well being and peace. He used short, starchy brush strokes of colour, which help to delimitate and come up the difference in the colours.         Soon Vincents mental health began to overleap at an alarming speed, and his paintings reflected this. His paintings started to have mournfulness about them, a loneliness, which was reflected by th e depressing blues and greys that Van Gpoh was using ! in his paintings. One of these extremely sad paintings was the stalk fields with crows, a painting with a depressing, foreboding sky, painted in short, strong brush stokes, which added to the element of confusion and despair, which echoed Van Gophs state of mind, and his loneliness, the rejection he mat up from the human race.         Van Gophs extreme self portrait showed the sorrow and depression that he felt everyday. The painting was done incorporating the depressing and sad tones of blue, which was in the back ground in swirls and twists, echoing the befuddled state of his mind, the questions, his eyes wide and piercing, superfluous sunken cheeks and the blue suit he was wearing. The whole painting echoed his pain and loneliness. Van Goph was a very depressed man, and it showed at the end through his paintings. If you want to get a plenteous essay, order it on our website: OrderC ustomPaper.com

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